I was a daydream-prone child. My mental excursions often tended towards the romantic and macabre: on the countless journeys to and from school, whether on foot or by bus, I would grant my stifled young mind free rein to find in the mundane suburban-scape, which my parents had cruelly forced upon me, visual passages to more preferable—and/or intriguing—, imagined realms. An oft passed tree, for example, would for an instant become a distant view into a Baroque Dutch landscape. Or, the brown and orange interior of my neighborhood library—the afternoon rains beating the building into a martial cry—would become a lonely, alien theater inhabited by self-conscious actors and blank-page-filled prop books. As artists and writers (neither of which I purport to be!) know, such fantasies are difficult to sustain, the script too written to rewrite, the visual cortex too hardwired to rewire. Yet, these hopeless dreamers continue to seek out precisely what is out of their grasp: those moments when the physical world actually exceeds the restless desires of the untransformed self. These moments lie beyond some neuropsychological ‘twilight zone’, beyond the journal’d storyboard you sketched as an angry adolescent, and most certainly beyond the oneiric tale you once narrated to a bored lover whilst you both languished in a dirty, unmade bed. They’re different because they’re really fucking real.
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